Item Description
Some design icons are meant to be experienced in singular form. Others, like this extraordinary set of 60 Laleggera chairs, demand to be appreciated in their full monumental glory—a fleet of seating that transforms any interior into a statement of refined taste. Designed by Riccardo Blumer for Alias in 1996, the Laleggera chair is a masterpiece of technological innovation. The name itself—”the light one”—speaks to its revolutionary construction: a solid maple structure injected with lightweight polyurethane foam, a technique inspired by the construction of glider aircraft. The result is a chair that defies gravity, combining exceptional strength with almost impossible lightness. The Laleggera’s credentials speak for themselves: winner of the prestigious ADI Compasso d’Oro award in 1998, and since 2009 part of the permanent collections of the Museum of Modern Art in New York, the Centre Georges Pompidou in Paris, and the Milan Triennale. This is a design that belongs in the pantheon of modern classics. This set of 60 chairs comes with a remarkable history. They were carefully used in a Dutch ministry building—an institutional environment where quality and durability are paramount, and where furniture is treated with respect. This provenance speaks volumes about the chairs’ robust construction and their ability to withstand the demands of daily use while maintaining their pristine appearance. The chairs are in excellent condition, a testament to their careful stewardship. The black lacquered maple veneer frames remain strong and solid, with the beautiful grain that defines this light and strong wood. The chairs show no significant wear, presenting as a near-new collection ready for immediate use in any prestigious setting—be it a corporate headquarters, museum cafe, design hotel, or private collector’s home. Beyond their aesthetic and historical significance, these chairs are supremely functional. They are stackable, making storage and transport effortless—a practical consideration that belies their sculptural beauty. To acquire 60 authentic, museum-quality design icons in one collection is a rare event. This is not merely a purchase of furniture; it is the acquisition of design history, ready to furnish an entire space with the elegance and intellectual rigor of one of Italy’s finest design achievements.
